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Classical concerts featuring
Benedikt Kany

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Upcoming Concerts

Concerts featuring Benedikt Kany in season 2024/25 or later

May 12, 2025
Artistic depiction of the event

NDR Chamber Music Concert

Mon, May 12, 2025, 20:00
Julius Beck (Violin), Anna Theegarten (Viola), Phillip Wentrup (Cello), Benedikt Kany (Double bass), Malte Schäfer (Piano)
Johannes Brahms, an early admirer of Bach and Beethoven, only discovered his love for Schubert relatively late. He felt it all the more intensely – and the more the Austrian composer eventually rose in his esteem. For many years, he was an unofficial contributor to the first major Schubert complete edition – and in this way became a profound connoisseur of Schubert’s works.
May 13, 2025
Artistic depiction of the event

NDR Chamber Music Concert

Tue, May 13, 2025, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Julius Beck (Violin), Anna Theegarten (Viola), Phillip Wentrup (Cello), Benedikt Kany (Double bass), Malte Schäfer (Piano)
Johannes Brahms, an early admirer of Bach and Beethoven, only discovered his love for Schubert relatively late. He felt it all the more intensely – and the more the Austrian composer eventually rose in his esteem. For many years, he was an unofficial contributor to the first major Schubert complete edition – and in this way became a profound connoisseur of Schubert’s works.
June 10, 2025
Artistic depiction of the event

NDR Chamber Music Concert / Elphier-Quartett

Tue, Jun 10, 2025, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Yihua Jin-Mengel (Violin), Ljudmila Minnibaeva (Violin), Alla Rutter (Viola), Phillip Wentrup (Cello), Benedikt Kany (Double bass), Haiou Zhang (Piano)
Shostakovich’s Eighth String Quartet in C minor is one of the composers most personal works. There are striking allusions to Wagner’s »Götterdämmerung« and Tchaikovsky’s confessional symphony »Pathétique«. But Shostakovich also immortalised himself, with themes from earlier works as well as the musical code D-Es-C-H. The piece was composed in 1960 during a visit to Dresden, which was destroyed in 1945. The horrors of the destruction shocked Shostakovich so much that he dedicated the quartet to the victims of war and fascism.